Today's indie-effects movement began in 1993, just as the world was being wowed by Industrial Light + Magic's photorealistic dinosaurs in the monster hit "Jurassic Park." Very quietly, a much smaller film was also making history. That picture was "The Fantastic Four," a low-budget feature based on the classic Marvel Comics title and produced by iconc indie Roger Corman. It is no coincidence that Scott Billups worked on both of these turning-point titles - as previsualization expert on "Jurassic Park" and the entire visual effects department on " The Fantastic Four".
David E. Williams, Hollywood Reporter
If you just bought a new camcorder and want to make a movie: read this.
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All the essentials in a 7 DVD set
Indispensable technique for blocking and camera work.
HTML is at the root of all future distribution. Learn it now.
Scott has built his career on staying small and taking personal responsibility for every pixel that goes through his lens or computer.
Clicking on the yellow heading will take you to a smattering of press from major publications that blither on about Scott and the innovative methods that he uses. There simply is no other way to put it - Shameless self-aggrandizement.
Scott is equally proficient with film or digital camera systems..
WIRED magazine called Scott, "the first postmodern effects cowboy"..
With a lifetime of projects to his credit, Scott gets the job done with style..
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